Allyson Johnson

Pieces of my Mind

Archive for the tag “museums”

Freeway-Free in Spain: A Tale of Two Museums

Bilbao’s Promenade along the Estuary is anchored at each end by a world-class museum.  The Bilbao Fine Arts Museum looks like a traditional museum from the outside – a blockish building with a fountain courtyard,  a lobby with a gift shop.  Ho hum. But the museum has re-invented itself in competition with its more famous colleague at the other end of the promenade and its exhibit space, when I visited, was among the most interesting and inventive I have seen.

20190526_160456webAt the time of my visit, the museum had thrown the traditional chronological arrangement of its art right out the window, and had rearranged its El Greco’s, its Goyas, its Gauguin in alphabetical order by subject.  So the Gauguin was exhibited under A for ART, taken out of its frame and put between glass panels so you could see the paint smudges on the edges of the canvas, and some scribbles by the artist on the back of the canvas.  In the same room were examples of art by paleolithic artists as well as moderns ones.  It made me think about the Gauguan in a completely different way.

Here’s a sample of the many pieces of Spanish and European art on view at the Fine Arts Museum:

(The picture on the lower left was taken, of course, in the room labeled “P for Portrait”.)

It was a rainy day when I visited, and I could have happily stayed for hours.

The next day I visited the other end of the Promenade, the Guggenheim Bilbao.  This museum is really all about the building.  The architecture inside and out is so curvaceously fascinating that the art pieces serve as much to enhance the building as to display themselves. Here’s a sample:

Of course, Bilbao is more than the sum of two museums and a promenade along the estuary.  There is an old town. There are modern buildings. I’ll give you a glimpse of that Bilbao next time.

Freeway-Free in Spain: Bilbao Re-Imagined – Day 1

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All I knew of Bilbao before arriving was what I learned from Andy Williams in the song about “that old Bilbao moon/I shan’t forget it soon…/While Tony’s beach saloon/Rocked with an old-time tune”.

Whatever Bilbao Andy was singing about has gone, if it ever existed. For one thing, there is no beach at Bilbao; it gained its success as a port because it was situated on a wide river inlet, well away from storms AND sand.

Bilbao was the Pittsburg of Spain, a busy port located near iron deposits, and thus steel mills and manufacturing plants. Like Pittsburg, when the iron gave out, the city verged on collapse.   The warehouses emptied, the port facilities were allowed to become outmoded, and manufacturing jobs left for cheaper labor pools.

City visionaries hit on the idea of re-positioning Bilbao as a cultural center, and reclaiming its idle port as a riverside sculpture park and promenade. Someone heard that the Guggenheims were thinking of establishing a satellite museum in Europe, and Bilbao pulled out all the stops to secure this prize. The result: a voluptuously curved Frank Gehry–designed building which is a destination in itself, supplemented by The Museum of Fine Arts (the second largest museum of Spanish art in the country after El Prado in Madrid) at the other end of the promenade,, and between them a lovely open green space bordering the reclaimed river, studded with sculptures, bridges, fountains, playgrounds, and outdoor performance spaces.

Sculptures vary from realistic to very abstract:

The fountains bubble graciously from traditional to naturalistic:

And the playgrounds are well-used (note: the red-capped youth on the rope net are the same ones you can spot starting their school field trip in the first photo above).

20190526_172636webSo – come to Bilbao for the walk, the outdoor art, the architecture, the parks… and that’s only the first day!

Freeway Free in Colorado: The Headwaters Center in Winter Park – a GEM

20190821_101138webThe Headwaters Center in Winter Park, Colorado is a small delight, featuring creative audio, visuals, and interactive displays to immerse the visitor in the history and hazards of water and water management along the Continental Divide.  It opened in July 2019.

As you walk through the museum, you can use your finger along a time line to change the waterflow and scenery along the walls,  You can put yourself into a kayak or onto a mountain bike as you explore the recreation options around the river.  You can fly like an osprey over the Continental Divide, searching out the watersheds of the Fraser, the Colorado, and other major rivers. You can (if you are small) crawl inside a beaver dam and commune with a beaver.

The Center is full of “I never thought of that!” moments.  For example, I kinda knew that most of the rain along the Divide falls on the west side of the Rockies, while most of the people live on the east side.  So massive tunnels have been build to divert water flow from west to east.  (an interactive display allows you to turn a valve wheel to see the impact of this diversion on the ecology of the western slope). An unexplored consequence is that the water that would have run into the Pacific from the western watershed now eventually runs into the Atlantic.  Long-term effects? We’re not sure.

The Center itself is designed to be completely off the grid, with solar panels and a back-up generator providing clean power.  It is, of course, designed for advocacy.  From the souvenir shelf (no full-size gift shop yet) a visitor can buy eco-bricks to lessen the water flow in toilets, re-fillable water bottles to make bottled water unnecessary, and other water-conservation tools.20190821_113644doc

A take-away flyer suggests action items which a visitor can take to become more aware and informed about Western water usage.  The Center is a mind-changing, mind-expanding experiment in the power of information.  Don’t miss it.

Freeway Free in California: San Jose’s Japantown

20190713_144402docSan Jose’s Japantown, centered around the intersection of Jackson and Fifth Restaurant, is one of only three remaining  centers of Japanese culture in the US (the other two being in San Francisco and in Los Angeles.)  Almost destroyed by the forced internment of most of its citizens during World War II, it has bounced back as a nucleus of Japanese restaurants, shops, and community organizations.

If you go to Japantown, it’s best to start with a good meal.  Kubota’s on 5th is an upscale favorite of local Japanese businessmen and their visitors from Japan.  I’m a big fan of their chirashi, which comes with a really good tofu salad along with a sizable bowl of rice topped with generous slices of raw fish.  If you want a more casual meal you might try Gombei,  the sister restaurant around the corner on Jackson, which specializes in sushi.

20190713_134425webAfter lunch, a stroll along 5th street on the other side from Kubota’s will lead you to the San Jose Betsuin Buddhist Temple, with its serene garden inviting some digestive meditation.  If you can, enter the temple and admire its beautiful sliding shoji screens, gilded lanterns, and handsome icons.

From the intersection of 5th and Jackson, a stroll up and down Fifth Street gives you a chance to browse in shops featuring Japanese anime action figures and bobble-head toys,  music stores featuring Japanese stringed instruments and taiko drums, houseware stores, and a variety of Japanese and Korean restaurants and tea shops.

My favorite is Nichi Bei Bussan – a gift shop which has been in business over 100 years, featuring all things Japanese, including kimono fabric and patterns, whimsically decorated socks designed to be worn with flip-flops or Japanese sandals, beautiful tea sets and platters, origami paper, craft books, gift wraps, Japanese graphic novels and magazines and charming, helpful sales people who will gladly help you find the perfect item.

After shopping, time to reflect on the history of Japantown. Go back down Fifth street past Kubota’s and find the memorial sculpture and garden next to the Nissei Memorial Building housing the Japanese American Citizens League.  It’s worth studying each face of the three-sided memorial before visiting the Japanese American Museum just a few doors further down.

The Japanese-American Museum traces the history of Japanese immigrants in the US, from their being imported as easy-to-exploit agricultural laborers to their forced removal to concentration camps during World War II.  The museum includes videos, recorded intreviews, and a replica of a family’s space at Manzanar, one of the relocation camps.  You cannot spend time in this museum without feeling a bit queasy at how easy it seemed to have been to deprive thousands of U.S. citizens of their rights, even as our country  fought against the same arbitrary cruelty as seen in Nazi Germany.

On a lighter note, try to schedule your visit to coincide with one of the special festivals.  I recently happened to arrive during the summer Obon Festival, which featured dancers, taiko drummers, men and women in traditional costumes, lots of food and crafts booths, and an open house at the Buddhist temple offering one-hour classes in “Buddhism 101”.

 

 

Freeway Free in California: Exploring Stanford’s GEM of a Library

MainLibe2I have mentioned before on this blog that I am something of a connoisseur of libraries.  A few weeks ago I had the chance to explore a local GEM, as Stanford University celebrated the 100th Birthday of its Main Library (now known, in Stanford’s frenzy of naming buildings after wealthy donors, as the Bing Wing of the Green Library).

The stately façade, with its Façade obscured by renovation scaffolding but we were assured that the look would remain unchanged, including Stanford’s trademark rough-hewn sandstone and terra-cotta roof tiles. After a barbecue buffet and birthday cake, we were escorted into the library in groups for guided tours of the exhibits.

But here’s the secret:  you don’t need an invitation or a tour guide to explore the marvels of the Main – all you need to register for use is a government-issued photo ID, which gives you seven days a year of access at no charge.  Access to what? you may ask.  Let’s explore.

20190715_142729webRegister at the entry inside the big wooden doors of the Main Library.  Then head up the stairs to the rotunda.  On the day of the birthday, there was a harpist playing near the center of the rodunda, the delicate sounds reverberating in the giant space.  When I was a student, the Stanford Choir would give impromptu concerts on the stairs, especially wonderful at Christmas time, when we were swotting away in preparation for final exams.

I f there is no harpist, turn left into the spacious reading room.  In earlier days it served as the Reserve Book Room where students waited their turn to read the assigned texts for Western Civ and other limited-access materials.  Hoover Tower looms just out the windows.  As a student, I remember watching from the Reserve Book Room as suicide-prevention grates were lifted up to install at the top-most level. Stanford legend holds that someone studying in the RBR looked up from his textbook and and actually saw that guy fall. MainLibe1

Currently, the space where I used to wait impatiently for my number to come up is known as the Lane Reading Room,  and as one of the best spots to study on campus.

At the entrance is a fascinating clock, which looks like a fishbowl with a globe somehow floating magically in the middle.  A fish points to the correct time.  Along the walls are portraits of past presidents of Stanford, most posed staidly in suits or academic robes.  My favorite is of Gerhard Caspar, the German iconoclast who came in to shake things up in the 80’s. It’s the only one that looks like the artist or the subject were enjoying the process

If you come back to the rotunda and go left away from the stairs, you will end up in the newer part of the Green Library, which is much less interesting, in my view.  Instead, go straight across the rotunda and look for the stairs on the right, leading up to the Romsey Map Room.

David-Rumsey-Map-Center-LargeThe stairs alone are worth the price of admission, as each wall is covered with giant reproductions of antique maps and charts, covering everything from a visual representation of the longest rivers on earth vs the highest mountains, to a 3-D rendering of Manhattan Island in the 50’s, and much more.

The Romsey Map Room itself is a magic place where you can seemingly travel through time and space, thanks to the technology of Google Earth combined with Stanford’s amazing collection of maps and globes.

If you need a rest after zooming in and out with Google Earth, exit the back door of the Map Room and take the elevator up to the fifth floor, where you can rest up in the Bender Room, one of the most peaceful retreats on campus.  It has deep leather chairs, capable reading lamps, and windows allowing you to look out of the Main’s front windows over the Quad.

Display cases around the rotunda and in the Bender Room often display special exhibits featuring treasures from Stanford’s collection.  If you want more personal access, you can check out the digital catalogue, and even order up an arcane book for perusal. (I was excited to find a childhood favorite, The Magic Doll of Roumania, long out of print and invisible on Amazon’s and Ex Libris websites, listed in the catalog.  I put in a request, and three days later I was invited to come up and examine the book at my leisure.  I couldn’t take it out of the building, but if I needed more than a couple of hours, they would be glad to hold it for me for several days. Amazing!) Spend some time, and see what treasures you can unearth!

 

 

 

 

Freeway Free in Texas – The Civil War’s Westernmost Outpost

FtDavisFt. Davis National Historic Site preserves an outpost in the Back of Beyond which actually saw some action in the Civil War.  The Federal troops at Fort Davis fled the advance of  CSA General Henry Hopkins Sibley, who  dreamed of conquering New Mexico and establishing the Confederacy all the way to the Pacific. Sibley’s forces were beaten back at  Glorieta Pass, ending Sibley’s dream.

After the Civil War ended, the fort was re-manned mostly by black soldiers, with the mission of keeping wagon caravans safe from Indian attack as they headed toward El Paso and the gold fields of California.  There is some evidence that officers with a black mark on their record were sent to command the black troops, although in general Ft. Davis was considered to be a very comfortable posting, tucked into a stream-fed canyon, with reasonably decent weather most of the year and relatively little actual fighting required.

An informative short video sets the stage at the Visitor’s Center, which also offers a very good museum dealing very fairly with the black soldiers and the racism they encountered, and their medal-worthy battles with the mostly Kiowa and Commanche Indians.  The Kiowa, Apache, and Commanche tribes are also given a fair presentation, and the museum reminds us not to judge the behavior of the soldiers by our current gauge of how native peoples should be treated.  And a full shoutout is also given to the roles of the officer’s wives and children in providing structure and keeping up society’s standards in this remote outpost

It’s hard to be politically correct  in so many directions!  But where are the Latinos?  Maybe there weren’t many, as this part of  what is nowTexas was not part of the disputed territory which  became the Republic of Texas before the Mexican-American War.   W says that there were outposts of Spanish rule all along the Rio Grande, (Presidio, El Paso) but maybe not above in the desert.

The fort is in process of being restored to its 1860’s appearance.  Some homes and hospital rooms and barracks are already fully restored and furnished, others not, so you can see what has been done and is still to do. Lots of walking is required, as the Parade Ground needed room for cavalry manoevres. In the restored sections, you are likely to find a docent in period costume eager to tell you all about life in the fort back in the day. It is a peaceful place for a National Historic Site, with less than 50,000 visitors a year.

20190325_135040webIf you stop, I can recommend the Stone Village Market and Deli in the nearby town of Fort Davis – excellent soup and sandwiches and a cheerful decor full of oddities to look at man maybe purchase. 

 

It is located just up the street from the courthouse square, with its requisite ornate detailing, historic marker, pictures of stern mustachioed judges from time out of mind, morphing into smiling, nicely coiffed modern ones , and of course a carved cowboy statue.  It’s a nice stroll to settle your soup and sandwich.

 

 

Freeway Free in Texas: A Distillation of the Desert

20190325_102708docIf you are going to spend time in the desert, it’s best to know what you may be seeing, smelling, and getting stuck onto.  The Chihuahua Desert Research Institute and Botanical Gardens, about 10 miles east of Ft. Davis, provide a convenient and comprehensive introduction. 20190325_110507web

The site includes a pretty little visitors center, surrounded by very well laid out gardens highlighting desert plants by family (e.g.  verbena, rose, oak, beech) explained with a very informative brochure. (who knew that mangoes and blueberries are both part of the verbena family?)

At the end of a winding trail through the gardens is a greenhouse full of exotic cacti.  Some are potted on benches, others set into a lovely mini-garden at the end of the greenhouse.

The very charming lady at the visitor’s center explained a couple of short hikes available starting  from the center, but just the 1 mile circuit of the garden on our second day at altitude was enough.  We took our brochure and photos back to peruse over lunch, to prepare us for the morrow’s ventures further into the Back of Beyond.

Freeway-Free in Texas: Magical Marfa

20190325_192143docMarfa, in the Big Bend Country of Texas, is the home of the mysterious Marfa Lights, a phenomenon which has been photographed and videotaped and in honor of which the local Chamber of Commerce has erected a very nice viewing site complete with benches and rest rooms.

20190325_193228webBut the real mystery of Marfa is not the lights, but how a town of scarcely 3000 manages to maintain not just the grand old El Paisano Hotel, build in 1930 with an elaborate facade, courtyard with fountain, grand lobby with Spanish tile floor and check-in desk, beamed ceilings, stuffed longhorn and buffalo heads, and a bustling bar and dining room, but also a second “retro-contemporary ” hotel, the St. George, which is all clean 50’s decor, expansive space, modern art and furnishings, and what looks like another top-line restaurant, as well as a book store specializing in contemporary art.

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And next to the St. George is a large contemporary building which houses a conference center as well as a rec center including a swimming pool with an outdoor bar. The town also boasts several art and craft galleries. How do these establishments scratch a living?

The cast of “Giant” stayed at El Paisano while filming, and the lobby is decorated with posters of shots of the stars on and off the set. If it is not occupied, you can see room 211, which was the party room with a big balcony overlooking the fountain. While waiting for sundown, we had an excellent (three AAA diamonds) dinner of salmon with pesto sauce, roasted Brussels sprouts, and pilar, preceded by a delicious dip trio of guacamole, salsa, and black bean hummus. Not your typical West Texas fare!

After dinner,  out to the Viewing Platform. The Marfa Lights were shy, but the STARS! Orion, normally just a belt with a sword in light- polluted Californa, was festooned with decoration. W had loaded a SkyWatch app on her phone which allowed her to point the phone at the sky and it would tell what constellations we might be seeing there. We confirmed Cassiopeia, the big straggling W, but I couldn’t remember much more from my brother’s Boy Scout Handbook.

On a second evening we stopped in Marfa again (on the way back from the Middle of Nowhere – see future posts!) and discovered more about the magic.  It seems that the city is literally the “lengthened shadow of one man”-modern minimalist artist Donald Judd.  Judd  vacationed in Big Bend country in the 70’s and decided the area could provide the ideal space for installations of his gigantic outdoor (made of concrete) and indoor (made of polished steel) cubic artworks. After renting a summer home in Marfa for several years, he plunged in, bought an abandoned military site with a couple of warehouses, and gradually also bought a number of empty commercial buildings in the downtown, including a National Bank building with lovely tile work which is now the office of his son’s architectural firm, a block-size office buildings which houses the Chinati Foundation,  a facing building for the Judd Foundation, and others. You can purchase an all day (6 hour plus 2-hour lunch break) tour to see both the inside and outside ateliers plus gallery exhibits by other artists, or a 3 hour indoor tour of all the buildings, or a free tour of the outside installations.

The presence of this driving force gave new life to the rest of the town. Conferences organized by the Chinati Fund  invited artists and tourists from Los Angeles and New York, some of whom stayed to open art galleries featuring modern as well as regional and native art. With the artists came foodies who brought the old hotel’s bar and dining room up to 3 diamond standard, and converted another hole in the wall into Stellina, a hip wine bar/restaurant with “some of the best veggie enchiladas ever” per W.  On a Wednesday evening by 8PM the young folk are sitting on the sidewalk with their wine buckets and generous pours waiting for tables, with more coming up the street. 20190327_184100web

Other movies such as No Country for Old Men have also used Marfa for HQ. It’s “the quirkiest town in Texas” per Texas Highways.  And the promoters of Lollapalooza are exploring holding a Burning Man -type festival on the outskirts of town which would attract four times the normal population. But even Donald Judd doesn’t explain why that grand hotel was built in 1930. There is still mystery and magic beyond even the sorcery of Donald Judd. Marfa in the Back of Beyong has almost more liveliness than it can stand, while Ozona, a similarly sized town with an equally attractive center square, and located on a major transportation corricor, molders away.  Go figure!

 

 

Freeway Free in Texas: An Austin Highlight

I touched down in Austin for just long enough to glimpse the Capital building and visit one excellent museum.  The state Capitol of Texas looks like a clay model of the California State Capitol – Instead of a  white wedding cake with a gold dome, it’s plain terracotta.

Instead of strolling the Capitol grounds, we trusted AAA and headed for a Gem – the Bollock Museum – The Story of Texas (and beyond). The building is what you might expect of a museum of Texas history in the Texas Capitol, sporting a giant five pointed star in front, flanked by the six flags of Texas.  Inside, an atrium goes up three stories, with a mural in the center of the lobby best viewed from the third floor, depicting Indians, cowboys, missionaries, oxen, and horses from above, all seated or grazing around a smoking campfire. Odd but quaint perspective.

The main exhibit (which continues until mid-June) was about WWI, what the US society was like before the war, and how the war affected the society (the chaos after the war.) (From this exhibit I can understands a little better why my father feared a recession after WWII.)  After WWI per this exhibit there was a huge slump in manufacturing, and lots of layoffs, leading to violent strikes. Adding to the unrest were returning black soldiers being uppity and suffering the consequences, plus women fighting for the vote.  (American suffragettes like Alice Paul were force fed as the British Pankhursts had been.)

Great care was taken to credit women and to credit negro activists, and to talk frankly about race riots and lynchings before and after WWI. The interpretation of history was very much from the 21st century point of view  (e.g. videos about “conservative” post- Civil War governors  who enforced segregation, vs. “progressive” governors who raised taxes and used sales of public resources (oil rights) to pay for schools and roads. 20190323_161537web - Copy

Another exhibit tracked the growth of Texas by exploring restrictive immigration laws, including an interactive display of “When could they be allowed in?” where you were supposed to figure out when a particular ethnic groups would be most likely to be admitted to the USA (too bad if you were Asian).

Presiding over everything from the atrium balcony is a spectacularly homely statue of Lady Liberty holding up a Lone Star instead of a torch. (to be fair, she was meant to be viewed from a considerable distance, so her features were exaggerated.) She formerly stood on top of the Capitol building, but the welded zinc and iron plates forming her structure did not weather well, so she has been replaced by a copy.

All in all, a fine way to spend a couple of hours as an introduction to the Texas Capitol.

Freeway Free in Scotland: Another Bloody Battlefield

IMG_0684doc Why do we yearn over battlefields and lost causes?  At the Battle of Gettysburg, the High Water Mark of the Confederacy gets more photos than any other monument.  Even on our cruise in  Alaska we toured a battlefield – the last stand of the Kwakiutls or some such. We are in awe of places where lots of young men died for reasons they and we no longer understand. And here we are at Culloden, where young Scotsmen in kilts wielded swords and battle axes against British cannon and riflery, and died bravely for a prince who escaped the carnage and lived out a wastrel life in Italy. .

Culloden is a beautiful place on a bright summer day, a broad pasture stippled with swathes of greenery and shrubbery, sweeping off to distant hills and a blue sky studded with white clouds.  And then you notice the clan markers, where the bodies of slain Scotsmen were heaped into trenches and covered over with earth.  No individual markers for the Scots, just a stone with the clan name.  And maybe the bodies underneath match the name, or maybe not.

The Culloden Battlefield has one of the best visual representations of slaughter that I have seen. We are told 50 Englishmen died vs. 2500+ Scots. That seems like a lot. Then we see the wall – the extruded bricks represent a death.  – 20 feet of bricks represent the Royalist deaths – another 10 feet are flat, then 1250 feet represent the Scotch deaths.20180724_145704doc  You see, you understand.

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