The Thyssen-Bornemizso museum is the last of Madrid’s”Big 3″ and perhaps the most cosmopolitan/ecumenical, as it spans from early medieval art through the impressionsts all the way to Roy Lichtenstein and Marc Rothko. In addition to the core collections, this museum had the most intriguing special exhibitions of the Big 3. On the day of our visit we happened on a special exhibit devoted to the influence of open-air painting on the Impressionists. We took this in first, then approached the regular collection already half-dazzled.
The regular collection is now actually TWO collections, that of the Baron and his family which had been a-building for two generations, and that of late-comer Baroness Carmen Tyssen-Bornemizso (a former Miss Spain, and well-qualified judging by the full-length portrait which hangs in the entry gallery). So one is forced to zig and zag from the Middle Ages to the Barbizon school with the Baron, then leap to an unusual collection of American painters from Winslow Homer to Roy Lichtenstein with Carmen, then back to the Renaissance again with Carmen, then back to the Impressionists with the family collection. One wonders why the two collections could not simply be integrated along chronological lines; probably feminism has something to do with it.
A nice small special exhibit of paintings showing women going about daily life rounded off over seven hours at the T-B. There was one more exhibit of modern art entitled “Hyperrealismo” but we ran out of brain cells.
We went back to El Retiro to stop and smell the roses one last time. On this warm sunny Sunday it seemed all Madrid was celebrating La Dia de la Madre in the park: picnicking, strolling with the obligatory gift rose in hand, rowing in the rectangular Estanque. On the way back to the Metro we discovered a street of bookstalls like those along the Seine selling used books of all sorts. I barely resisted “Matilda”, one of my favorites from Roald Dahl. Perhaps in the park we discovered the real elusive center of Madrid.