Marfa, in the Big Bend Country of Texas, is the home of the mysterious Marfa Lights, a phenomenon which has been photographed and videotaped and in honor of which the local Chamber of Commerce has erected a very nice viewing site complete with benches and rest rooms.
But the real mystery of Marfa is not the lights, but how a town of scarcely 3000 manages to maintain not just the grand old El Paisano Hotel, build in 1930 with an elaborate facade, courtyard with fountain, grand lobby with Spanish tile floor and check-in desk, beamed ceilings, stuffed longhorn and buffalo heads, and a bustling bar and dining room, but also a second “retro-contemporary ” hotel, the St. George, which is all clean 50’s decor, expansive space, modern art and furnishings, and what looks like another top-line restaurant, as well as a book store specializing in contemporary art.
And next to the St. George is a large contemporary building which houses a conference center as well as a rec center including a swimming pool with an outdoor bar. The town also boasts several art and craft galleries. How do these establishments scratch a living?
The cast of “Giant” stayed at El Paisano while filming, and the lobby is decorated with posters of shots of the stars on and off the set. If it is not occupied, you can see room 211, which was the party room with a big balcony overlooking the fountain. While waiting for sundown, we had an excellent (three AAA diamonds) dinner of salmon with pesto sauce, roasted Brussels sprouts, and pilar, preceded by a delicious dip trio of guacamole, salsa, and black bean hummus. Not your typical West Texas fare!
After dinner, out to the Viewing Platform. The Marfa Lights were shy, but the STARS! Orion, normally just a belt with a sword in light- polluted Californa, was festooned with decoration. W had loaded a SkyWatch app on her phone which allowed her to point the phone at the sky and it would tell what constellations we might be seeing there. We confirmed Cassiopeia, the big straggling W, but I couldn’t remember much more from my brother’s Boy Scout Handbook.
On a second evening we stopped in Marfa again (on the way back from the Middle of Nowhere – see future posts!) and discovered more about the magic. It seems that the city is literally the “lengthened shadow of one man”-modern minimalist artist Donald Judd. Judd vacationed in Big Bend country in the 70’s and decided the area could provide the ideal space for installations of his gigantic outdoor (made of concrete) and indoor (made of polished steel) cubic artworks. After renting a summer home in Marfa for several years, he plunged in, bought an abandoned military site with a couple of warehouses, and gradually also bought a number of empty commercial buildings in the downtown, including a National Bank building with lovely tile work which is now the office of his son’s architectural firm, a block-size office buildings which houses the Chinati Foundation, a facing building for the Judd Foundation, and others. You can purchase an all day (6 hour plus 2-hour lunch break) tour to see both the inside and outside ateliers plus gallery exhibits by other artists, or a 3 hour indoor tour of all the buildings, or a free tour of the outside installations.
The presence of this driving force gave new life to the rest of the town. Conferences organized by the Chinati Fund invited artists and tourists from Los Angeles and New York, some of whom stayed to open art galleries featuring modern as well as regional and native art. With the artists came foodies who brought the old hotel’s bar and dining room up to 3 diamond standard, and converted another hole in the wall into Stellina, a hip wine bar/restaurant with “some of the best veggie enchiladas ever” per W. On a Wednesday evening by 8PM the young folk are sitting on the sidewalk with their wine buckets and generous pours waiting for tables, with more coming up the street.
Other movies such as No Country for Old Men have also used Marfa for HQ. It’s “the quirkiest town in Texas” per Texas Highways. And the promoters of Lollapalooza are exploring holding a Burning Man -type festival on the outskirts of town which would attract four times the normal population. But even Donald Judd doesn’t explain why that grand hotel was built in 1930. There is still mystery and magic beyond even the sorcery of Donald Judd. Marfa in the Back of Beyong has almost more liveliness than it can stand, while Ozona, a similarly sized town with an equally attractive center square, and located on a major transportation corricor, molders away. Go figure!