Allyson Johnson

Pieces of my Mind

Archive for the tag “arts”

Life in a COVID-19 Hot spot – Week 17 : the Doldrums

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I’ve hit the wall. I feel as though the General Confession I learned in my innocent childhood has come to fulfillment:  I have left undone those things I ought to have done (like getting this blog entry out on time) and I have done those things I ought not to have done (like completing 199 rounds of Word Play in three days). And there is no health in me (although I passed my Covid-19 test with flying negatives.)

Maybe it’s Post Project Depression – I had been working on a fun project for one of my favorite little girls (see below), and happily I was able to gift it in person last weekend,(socially distanced, air hugs, but in person!) and see the gleeful reception first hand. Now it’s finished, no more figuring and contriving and eking out, and there is a vacuum where that flicker of creativity glimmered, and no glee to look forward to.

Maybe it’s the general flatness of my social life.  Other than the week-end’s distanced visit, my calendar is a panel of blank days punctuated by periodic Zoom and Skype encounters.  The trouble with Zoom and Skype is that they are so darned flat!  No body language is visible in those postage-stamp-sized video clips, no signals that the other person has something to say,  it’s like being in grade school where you have to raise your (digital) hand to be recognized.  By the time I figure out where the Hand icon is, I’ve forgotten what I meant to contribute to the discussion.

Or maybe it’s those rounds of WordPlay and Spider Solitaire that are slowly eating away my brain. Even with a sparse calendar, I find myself forgetting Zoom meetings and Skype appointments, doing my classwork (yes, I’m taking an online class) haphazardly at the last minute.

July is a big Birthday month in my family.  I have eight birthday cards to mail.  Hope I don’t forget anyone!

An article in the paper gives me some hope that it’s not just me; even people who normally have proved to have total recall are finding it difficult to distinguish one lockdown day from the next. If only, like Bill Murray in “Groundhog Day”, I could feel that I was learning to live my day better with each repetitive cycle.  At the moment, I don’t guess that I could say I am.

Freeway Free in California: A Serene Escape from COVID-19 Stress

20200310_123757webI live in a COVID-19 hotspot – 43 cases and one death since the beginning of March – and public and private events are being cancelled left and right to prevent transmission.  So what is one to do if you are healthy, not in one of the “vulnerable” groups, and needing some relief from the stress of it all?  Maybe it’s time to visit a local museum.

The Asian Art Museum in San Francisco is one of my favorites.  I visited this week and found plenty of parking in the Civic Center Garage ($12.00 for 5 hours), two featured exhibits of great interest, no crowds, and decent food at the museum restaurant.  And if you are looking for stress relief, Asian art is all about serenity.

20200307_121146webThe exhibit that drew me to the museum featured Zhang Da Qian (Chiang Dai-Chien in traditional transcription) who was the Pablo Picasso of 20th Century Chinese art.  His work spans styles ranging from impeccable copies of venerated Chinese master artists of the past, to modern splash-ink impressions worthy of Jackson Pollock.  He lived in mainland China, Brazil, Argentina, Taiwan, and California, and in each venue did his best to promote appreciation of Chinese art.  One of the featured works in this exhibit is titled “Scholars on a wilderness path”, but the giant monolith in the background must be Half Dome.

Other paintings include a marvelous white gibbon, a black horse grazing in a blue-green pasture, a Tibetan dancer, several giant lotuses, and landscapes formed from giant splashes of ink enhanced with a few brush-strokes to define space, foliage, light, and dark.

After studying Zhang’s various works, a stroll through the adjacent Korean gallery offers a different range of experiences.

You can admire a glowing white “moon jar”, pristine on its wooden shelf, and discover an Asian precursor of the classic patchwork quilt, made from silken scraps.

Or perhaps you will spend some time in another featured exhibit, called “Awakening” which walks you through several centuries of Buddhist tradition, juxtaposing ceremonial vessels made from human skulls, many-armed monsters intricately carved and painted, and dainty gilded bronze sculptures celebrating sensual tenderness.

Or maybe some of the more modern pieces will appeal to you, like this sculpture by Liu Jianhua formed of letters and Chinese characters on view just outside the Korean section. 20200307_121012web

The museum restaurant,Sunday at the Museum, features Asian style street food such as Vietnamese Pulled pork sandwiches, Japanese ramen noodles,  and Chinese dumplings.  You order at a counter and the food is brought piping hot to your table.  Of course you could get better Chinese food in Chinatown, better ramen in Japantown, but the setting attractive and the service is fast and friendly.

If you have children tossed out of their school/daycare, the museum usually has some activities geared toward children set up either in an activity area or  in the Shriram Learning Center on the first floor.

Freeway Free in Oregon: Exploring Astoria

[AKA “Travels with a Tiny Teardrop Trailer – Day 4 (cont.)”]

20191020_132703docAstoria is way out on the furthest northwestern tip of Oregon, at the mouth of the Columbia River. It is the oldest city in the state of Oregon, founded in 1811, and named for John Jacob Astor, the New York investor whose American Fur Company founded Fort Astoria at the site. (Yes, the Waldorf-Astoria in New York is also named for him.)  In bygone years Astoria was a bustling harbor, with schooner after schooner fighting her way past the dreaded Columbia River bar to pick up timber, fish, and furs, dropping off supplies and merchandise for the well-to-do families of  trappers, fishermen, and lumberjacks.

The Victorian heart of the city was demolished by fire in 1922.  This happened to coincide with the peak population – above 14,000 – so there were resources and energy to rebuild in the Art Deco style of the 1920’s.  Fortunately for architecture buffs, the population began a steady decline shortly after rebuilding, as port activity moved inland to Portland, and northward to Seattle.  The last fish cannery closed in 1980, the last lumber mill closed in 1989, and the railroad service was discontinued in 1996.  This left Astoria with a population of under 10,000, no funding for demolition/modernization in the town center, and plenty of warehouse space for the brewpubs and artist cooperatives which began to move in.

20191020_154102webWe stopped for lunch after our museum visit at the Rogue Public House, a brewpub located in a re-purposed fish cannery out on a pier just down from the museum.  We enjoyed their boutique beer, plus an excellent pizza and salad.  Then we took advantage of a temporary cessation of rainfall to stroll the delightfully un-restored, un-modernized, un-redeveloped downtown.

The downtown is haunted by the ghosts of retailers past:  the signs for JC Penney and Sears still deck the storefronts, though the shops underneath are now boutiques such as Garbo’s Vintage Wear, Purple Cow Toys, and Arachne’s Hand-Crafted Yarns.  Our favorite was FinnWare, a wonderful collection of Scandinavian design and décor, made even more special by a flotilla of Christmasy items sparkling and spinning on display.

We also stopped in at several of the art galleries which line Commercial Street, just to gawk at the creativity on display and wonder who actually puts these things in their houses.  The Riversea Gallery was particularly comprehensively amazing.

20191020_134111webAt one end of Commercial Street is the wonderful wedding cake-like Liberty Theatre, located, of course, in the Astor Building.  (See photo above.) We were visiting in October, so the Box Office was spectrally staffed.

After an hour or two of strolling and shopping we had had enough retail therapy and headed for the beach.  The sun was actually shining as we hit the sand at the tip of Oregon.  We could see the remains of the Peter Iredale rusting peacefully in the distance, one of the victims of the treacherous Columbia River Bar.

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Will the sunshine stay?  Will we be able to use the outdoor kitchen on the Titanic ?  Or will we head back to that cozy brewpub as refugees?  Stay tuned!

 

 

Freeway Free in CAlifornia – Adventures on the Empty Coast (Day 1)

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What’s the empty coast? Where Highway 1 clings to the cliff faces south of Carmel, with basically no left turns and few habitations until it regains civilization and a few crossroads south of San Simeon.

We needed a fall getaway, so D and I headed lickety-split down US-101, aiming for a calm coastal stay in Cambria, followed by a visit to Hearst San Simeon National Monument, and a scenic trip back up through Big Sur and the stretch of California Highway 1 that had been cut off by landslides and fires for several of the past years.

We stopped for lunch in Paso Robles, one of my favorite pauses for trips south and north on Historic El Camino Real. There are several good restaurants in Paso. This time we stopped at the Berry Hill Bistro, where the paninis are huge, the salads ample, and the servers slim and smiling. (I always think it’s a good sign if a restaurant’s waitresses are thin. It means they are running off the calories serving customers as fast as they can, rather than sitting around eating the leftovers.)

Just past Paso we found our exit on CA Highway 46, and sailed along a well maintained road through San Luis Obispo wine country. Acres of grapevines in fall colors cloaked the dry hills, and each winery seemed to be vying with the next to have the most oddly memorable name (my favorite: Tooth and Nail Winery.)

Only a half hour later we were cruising along Cambria’s Main Street. To our delight, we discovered that the entire month of October in Cambria is devoted to a Scarecrow Festival, and each retail, educational, and many private establishments compete for the notice of passers-by. There were Mexican-themed flamenco scarecrows for the Mexican restaurants, a Victorian lady in blue and white next to the blue and white Chase bank logo, and my favorite Raggedy Ann and Andy from my childhood next to a toy and gift store.

After checking into our beachfront motel, the Little Sur Inn,  we walked along the boardwalk bordering Moonstone Beach to check out the Moonstone Beach Bar and Grill as a dinner prospect, but although it has a lovely front veranda with a stunning sunset view,  and seemed to have a lively patronage, we would have been walking back in the dark, and it seemed a bit far.

We has our traditional champagne on the balcony of our room, looking out over Moonstone Beach. The sunset looked like a banana skin shading around the curve from pale yellow to golden brown.   We lingered until we both thought we saw the green flash accompanying the last rays of the sun. Lovely.20191001_190339web

As long as we would be getting in the car anyway, we decided to try Robin’s Restaurant in Cambria’s east village, a recommendation from a friend. It is a beautiful adapted home just a block from the Main Street, with a quiet ambiance, excellent service and good food (roasted Brussels sprouts with pine nuts and blue cheese, miso sea bass, firecracker shrimp).

One caveat: As we watched, there were maybe three younger couples coming in or leaving during the evening, but this is definitely a quiet restaurant for an older crowd.  D and I are used to upping the average age of the customer base by 10 years when we enter a restaurant. In this case we were right on average. D observed thatRobin’s does not have high chairs or booster seats, but they do seem to have an ample supply of walkers and supplemental oxygen bottles.  I guess the younger crowd was still quaffing brewskis on the Moonstone Beach Bar and Grill veranda.

IMG_0247webWe took the remains of a bottle of local Pinot Noir back to our balcony to finish off the evening with the complimentary chocolate chip cookies from our check- in desk. We sat on our balcony again to watch the crescent moon setting near where the sun had set before our dinner. Suddenly stars! The Milky Way! D even saw a shooting star. Only one spotlight shining on the entry sign for our hotel spoiled the dark sky.

 

Freeway-Free in Spain: Old Bilbao Explored

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When you are tired of looking at indoor and outdoor art along the Abandoibarra between Bilbao’s two world-class museums, go for a different vibe in Bilbao’s Old Town and Warehouse District.

On a weekday, you can browse the Mercado de la Ribera, one of the largest and oldest indoor markets in Spain. (I was there on a Sunday, but I did get to see some of the lovely stained glass windows in the guild hall.)

In the Warehouse District you will find the Alhondiga a multi-story public library  built on pillars within an old warehouse, with a glass-bottomed swimming pool on the roof.  It’s a wonderful re-imagining of how to use space. (Notice that no two of the supporting pillars are alike.)

In the Old Town are the usual medieval cathedral, narrow cobbled streets, and slightly skewed medieval buildings.

And if you explore the side streets, you will find some amazing, funky shops offering  exotic (and painful-looking) piercings, gothic wear, and many other oddities.

If you want an overview, don’t omit visiting the park atop Mount Artxanda, the hilltop overlooking Bilbao, for a panorama which takes in both old and new Bilbao. 20190528_124541doc

And then maybe you’ll want to take in the art scene just one more time before you leave.

 

Freeway-Free in Spain: A Tale of Two Museums

Bilbao’s Promenade along the Estuary is anchored at each end by a world-class museum.  The Bilbao Fine Arts Museum looks like a traditional museum from the outside – a blockish building with a fountain courtyard,  a lobby with a gift shop.  Ho hum. But the museum has re-invented itself in competition with its more famous colleague at the other end of the promenade and its exhibit space, when I visited, was among the most interesting and inventive I have seen.

20190526_160456webAt the time of my visit, the museum had thrown the traditional chronological arrangement of its art right out the window, and had rearranged its El Greco’s, its Goyas, its Gauguin in alphabetical order by subject.  So the Gauguin was exhibited under A for ART, taken out of its frame and put between glass panels so you could see the paint smudges on the edges of the canvas, and some scribbles by the artist on the back of the canvas.  In the same room were examples of art by paleolithic artists as well as moderns ones.  It made me think about the Gauguan in a completely different way.

Here’s a sample of the many pieces of Spanish and European art on view at the Fine Arts Museum:

(The picture on the lower left was taken, of course, in the room labeled “P for Portrait”.)

It was a rainy day when I visited, and I could have happily stayed for hours.

The next day I visited the other end of the Promenade, the Guggenheim Bilbao.  This museum is really all about the building.  The architecture inside and out is so curvaceously fascinating that the art pieces serve as much to enhance the building as to display themselves. Here’s a sample:

Of course, Bilbao is more than the sum of two museums and a promenade along the estuary.  There is an old town. There are modern buildings. I’ll give you a glimpse of that Bilbao next time.

Freeway-Free in Spain: Bilbao Re-Imagined – Day 1

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All I knew of Bilbao before arriving was what I learned from Andy Williams in the song about “that old Bilbao moon/I shan’t forget it soon…/While Tony’s beach saloon/Rocked with an old-time tune”.

Whatever Bilbao Andy was singing about has gone, if it ever existed. For one thing, there is no beach at Bilbao; it gained its success as a port because it was situated on a wide river inlet, well away from storms AND sand.

Bilbao was the Pittsburg of Spain, a busy port located near iron deposits, and thus steel mills and manufacturing plants. Like Pittsburg, when the iron gave out, the city verged on collapse.   The warehouses emptied, the port facilities were allowed to become outmoded, and manufacturing jobs left for cheaper labor pools.

City visionaries hit on the idea of re-positioning Bilbao as a cultural center, and reclaiming its idle port as a riverside sculpture park and promenade. Someone heard that the Guggenheims were thinking of establishing a satellite museum in Europe, and Bilbao pulled out all the stops to secure this prize. The result: a voluptuously curved Frank Gehry–designed building which is a destination in itself, supplemented by The Museum of Fine Arts (the second largest museum of Spanish art in the country after El Prado in Madrid) at the other end of the promenade,, and between them a lovely open green space bordering the reclaimed river, studded with sculptures, bridges, fountains, playgrounds, and outdoor performance spaces.

Sculptures vary from realistic to very abstract:

The fountains bubble graciously from traditional to naturalistic:

And the playgrounds are well-used (note: the red-capped youth on the rope net are the same ones you can spot starting their school field trip in the first photo above).

20190526_172636webSo – come to Bilbao for the walk, the outdoor art, the architecture, the parks… and that’s only the first day!

Freeway Free in California: San Jose’s Japantown

20190713_144402docSan Jose’s Japantown, centered around the intersection of Jackson and Fifth Restaurant, is one of only three remaining  centers of Japanese culture in the US (the other two being in San Francisco and in Los Angeles.)  Almost destroyed by the forced internment of most of its citizens during World War II, it has bounced back as a nucleus of Japanese restaurants, shops, and community organizations.

If you go to Japantown, it’s best to start with a good meal.  Kubota’s on 5th is an upscale favorite of local Japanese businessmen and their visitors from Japan.  I’m a big fan of their chirashi, which comes with a really good tofu salad along with a sizable bowl of rice topped with generous slices of raw fish.  If you want a more casual meal you might try Gombei,  the sister restaurant around the corner on Jackson, which specializes in sushi.

20190713_134425webAfter lunch, a stroll along 5th street on the other side from Kubota’s will lead you to the San Jose Betsuin Buddhist Temple, with its serene garden inviting some digestive meditation.  If you can, enter the temple and admire its beautiful sliding shoji screens, gilded lanterns, and handsome icons.

From the intersection of 5th and Jackson, a stroll up and down Fifth Street gives you a chance to browse in shops featuring Japanese anime action figures and bobble-head toys,  music stores featuring Japanese stringed instruments and taiko drums, houseware stores, and a variety of Japanese and Korean restaurants and tea shops.

My favorite is Nichi Bei Bussan – a gift shop which has been in business over 100 years, featuring all things Japanese, including kimono fabric and patterns, whimsically decorated socks designed to be worn with flip-flops or Japanese sandals, beautiful tea sets and platters, origami paper, craft books, gift wraps, Japanese graphic novels and magazines and charming, helpful sales people who will gladly help you find the perfect item.

After shopping, time to reflect on the history of Japantown. Go back down Fifth street past Kubota’s and find the memorial sculpture and garden next to the Nissei Memorial Building housing the Japanese American Citizens League.  It’s worth studying each face of the three-sided memorial before visiting the Japanese American Museum just a few doors further down.

The Japanese-American Museum traces the history of Japanese immigrants in the US, from their being imported as easy-to-exploit agricultural laborers to their forced removal to concentration camps during World War II.  The museum includes videos, recorded intreviews, and a replica of a family’s space at Manzanar, one of the relocation camps.  You cannot spend time in this museum without feeling a bit queasy at how easy it seemed to have been to deprive thousands of U.S. citizens of their rights, even as our country  fought against the same arbitrary cruelty as seen in Nazi Germany.

On a lighter note, try to schedule your visit to coincide with one of the special festivals.  I recently happened to arrive during the summer Obon Festival, which featured dancers, taiko drummers, men and women in traditional costumes, lots of food and crafts booths, and an open house at the Buddhist temple offering one-hour classes in “Buddhism 101”.

 

 

Freeway Free in California: Exploring Stanford’s GEM of a Library

MainLibe2I have mentioned before on this blog that I am something of a connoisseur of libraries.  A few weeks ago I had the chance to explore a local GEM, as Stanford University celebrated the 100th Birthday of its Main Library (now known, in Stanford’s frenzy of naming buildings after wealthy donors, as the Bing Wing of the Green Library).

The stately façade, with its Façade obscured by renovation scaffolding but we were assured that the look would remain unchanged, including Stanford’s trademark rough-hewn sandstone and terra-cotta roof tiles. After a barbecue buffet and birthday cake, we were escorted into the library in groups for guided tours of the exhibits.

But here’s the secret:  you don’t need an invitation or a tour guide to explore the marvels of the Main – all you need to register for use is a government-issued photo ID, which gives you seven days a year of access at no charge.  Access to what? you may ask.  Let’s explore.

20190715_142729webRegister at the entry inside the big wooden doors of the Main Library.  Then head up the stairs to the rotunda.  On the day of the birthday, there was a harpist playing near the center of the rodunda, the delicate sounds reverberating in the giant space.  When I was a student, the Stanford Choir would give impromptu concerts on the stairs, especially wonderful at Christmas time, when we were swotting away in preparation for final exams.

I f there is no harpist, turn left into the spacious reading room.  In earlier days it served as the Reserve Book Room where students waited their turn to read the assigned texts for Western Civ and other limited-access materials.  Hoover Tower looms just out the windows.  As a student, I remember watching from the Reserve Book Room as suicide-prevention grates were lifted up to install at the top-most level. Stanford legend holds that someone studying in the RBR looked up from his textbook and and actually saw that guy fall. MainLibe1

Currently, the space where I used to wait impatiently for my number to come up is known as the Lane Reading Room,  and as one of the best spots to study on campus.

At the entrance is a fascinating clock, which looks like a fishbowl with a globe somehow floating magically in the middle.  A fish points to the correct time.  Along the walls are portraits of past presidents of Stanford, most posed staidly in suits or academic robes.  My favorite is of Gerhard Caspar, the German iconoclast who came in to shake things up in the 80’s. It’s the only one that looks like the artist or the subject were enjoying the process

If you come back to the rotunda and go left away from the stairs, you will end up in the newer part of the Green Library, which is much less interesting, in my view.  Instead, go straight across the rotunda and look for the stairs on the right, leading up to the Romsey Map Room.

David-Rumsey-Map-Center-LargeThe stairs alone are worth the price of admission, as each wall is covered with giant reproductions of antique maps and charts, covering everything from a visual representation of the longest rivers on earth vs the highest mountains, to a 3-D rendering of Manhattan Island in the 50’s, and much more.

The Romsey Map Room itself is a magic place where you can seemingly travel through time and space, thanks to the technology of Google Earth combined with Stanford’s amazing collection of maps and globes.

If you need a rest after zooming in and out with Google Earth, exit the back door of the Map Room and take the elevator up to the fifth floor, where you can rest up in the Bender Room, one of the most peaceful retreats on campus.  It has deep leather chairs, capable reading lamps, and windows allowing you to look out of the Main’s front windows over the Quad.

Display cases around the rotunda and in the Bender Room often display special exhibits featuring treasures from Stanford’s collection.  If you want more personal access, you can check out the digital catalogue, and even order up an arcane book for perusal. (I was excited to find a childhood favorite, The Magic Doll of Roumania, long out of print and invisible on Amazon’s and Ex Libris websites, listed in the catalog.  I put in a request, and three days later I was invited to come up and examine the book at my leisure.  I couldn’t take it out of the building, but if I needed more than a couple of hours, they would be glad to hold it for me for several days. Amazing!) Spend some time, and see what treasures you can unearth!

 

 

 

 

Freeway-Free in Texas: Magical Marfa

20190325_192143docMarfa, in the Big Bend Country of Texas, is the home of the mysterious Marfa Lights, a phenomenon which has been photographed and videotaped and in honor of which the local Chamber of Commerce has erected a very nice viewing site complete with benches and rest rooms.

20190325_193228webBut the real mystery of Marfa is not the lights, but how a town of scarcely 3000 manages to maintain not just the grand old El Paisano Hotel, build in 1930 with an elaborate facade, courtyard with fountain, grand lobby with Spanish tile floor and check-in desk, beamed ceilings, stuffed longhorn and buffalo heads, and a bustling bar and dining room, but also a second “retro-contemporary ” hotel, the St. George, which is all clean 50’s decor, expansive space, modern art and furnishings, and what looks like another top-line restaurant, as well as a book store specializing in contemporary art.

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And next to the St. George is a large contemporary building which houses a conference center as well as a rec center including a swimming pool with an outdoor bar. The town also boasts several art and craft galleries. How do these establishments scratch a living?

The cast of “Giant” stayed at El Paisano while filming, and the lobby is decorated with posters of shots of the stars on and off the set. If it is not occupied, you can see room 211, which was the party room with a big balcony overlooking the fountain. While waiting for sundown, we had an excellent (three AAA diamonds) dinner of salmon with pesto sauce, roasted Brussels sprouts, and pilar, preceded by a delicious dip trio of guacamole, salsa, and black bean hummus. Not your typical West Texas fare!

After dinner,  out to the Viewing Platform. The Marfa Lights were shy, but the STARS! Orion, normally just a belt with a sword in light- polluted Californa, was festooned with decoration. W had loaded a SkyWatch app on her phone which allowed her to point the phone at the sky and it would tell what constellations we might be seeing there. We confirmed Cassiopeia, the big straggling W, but I couldn’t remember much more from my brother’s Boy Scout Handbook.

On a second evening we stopped in Marfa again (on the way back from the Middle of Nowhere – see future posts!) and discovered more about the magic.  It seems that the city is literally the “lengthened shadow of one man”-modern minimalist artist Donald Judd.  Judd  vacationed in Big Bend country in the 70’s and decided the area could provide the ideal space for installations of his gigantic outdoor (made of concrete) and indoor (made of polished steel) cubic artworks. After renting a summer home in Marfa for several years, he plunged in, bought an abandoned military site with a couple of warehouses, and gradually also bought a number of empty commercial buildings in the downtown, including a National Bank building with lovely tile work which is now the office of his son’s architectural firm, a block-size office buildings which houses the Chinati Foundation,  a facing building for the Judd Foundation, and others. You can purchase an all day (6 hour plus 2-hour lunch break) tour to see both the inside and outside ateliers plus gallery exhibits by other artists, or a 3 hour indoor tour of all the buildings, or a free tour of the outside installations.

The presence of this driving force gave new life to the rest of the town. Conferences organized by the Chinati Fund  invited artists and tourists from Los Angeles and New York, some of whom stayed to open art galleries featuring modern as well as regional and native art. With the artists came foodies who brought the old hotel’s bar and dining room up to 3 diamond standard, and converted another hole in the wall into Stellina, a hip wine bar/restaurant with “some of the best veggie enchiladas ever” per W.  On a Wednesday evening by 8PM the young folk are sitting on the sidewalk with their wine buckets and generous pours waiting for tables, with more coming up the street. 20190327_184100web

Other movies such as No Country for Old Men have also used Marfa for HQ. It’s “the quirkiest town in Texas” per Texas Highways.  And the promoters of Lollapalooza are exploring holding a Burning Man -type festival on the outskirts of town which would attract four times the normal population. But even Donald Judd doesn’t explain why that grand hotel was built in 1930. There is still mystery and magic beyond even the sorcery of Donald Judd. Marfa in the Back of Beyong has almost more liveliness than it can stand, while Ozona, a similarly sized town with an equally attractive center square, and located on a major transportation corricor, molders away.  Go figure!

 

 

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