Excavating a Life (Los Altos TOWN CRIER April 2014)
My husband’s mother, known to friends and family as “Dimi”, died at 102, and I went with my husband to help arrange funeral services and reacquaint ourselves with family. We stayed in my husband’s boyhood bedroom in his mother’s abandoned house.
The house had been rented out for a few months to a family connection who had used mostly the first floor. Almost all Dimi’s belongings had been moved to the second floor. They included a couple of bedrooms’ worth of furniture, plus boxes and baskets of documents, oddments, gewgaws, and bric-a-brac.
As a relative by marriage only, I enjoyed going through the boxes, bins, and dresser drawers which had been jumbled together, and the closer relatives seemed relieved to have an unemotional eye sorting through the accumulation. It was exciting to explore, as if I were doing an archaeological dig through the strata of a life.
I found a newspaper clipping with a picture of Dimi at about 18, as she starred in a college play. At her 90th birthday she had listed as one of her regrets that “I never acted on Broadway.” We had thought she was joking. Was it a real dream at one time?
In a drawer of a bureau upstairs I found a wedding photo. We had thought that my husband’s parents had not been able to afford a fully costumed and documented wedding in 1933, the beginning of the Depression. Yet here they were, he looking dapper and debonair in a suit, vest, and watch chain, she glamorous in a swooping hat, full length white lace gown, and sporting an enormous bouquet.
I found a letter from a soldier dated April, 1945, thanking Dimi for a newsletter she had sent as a class correspondent. He said it was like a breath of spring to hear from her, and asked to be remembered to the college professors he had admired. Did C.E. “Dutch” Eby, Lieutenant on the USS Barron, survive the last few months of the war?
I found a note from a young woman who had been a childhood friend of Dimi’s daughter, saying that she had always thought of Dimi as a ideal parent, and she had tried to model her own parenting after Dimi.
I found notes from people whom Dimi had met on her travels, from Guam, and Australia, and Hawaii, and Norway, with whom she had kept in touch and in friendship for decades after their chance meetings.
I found notes written between Dimi and her husband of 40 years, including the last heartbreaking one when he was in the grip of his last illness, knowing he was near his end, just before his death.
I found lists of Christmas presents which Dimi had given year by year. In later years, many of these presents were ludicrously inappropriate, mis-sized, or obviously pre-owned. We laughed with other family members about the too-small shirts, the ladies’ sweaters given to grandsons, the tarnished necklaces with missing stones. Yet these lists showed how much thought and care she had taken so that no child or grandchild or even great-grandchild would go unremembered as her family grew.
On my return home I looked at my cluttered closets and crammed desk drawers with a different eye. I knew Dimi so much better since I had delved into the strata of her life. Maybe one day my children will learn to know me better also thanks to the clutter I leave behind.
Written so well that as it flows one is drawn into the historical times as well as the emotional moments of the person whose life is depicted in vignettes; glimpses of an unknown person who comes to life as a sensitive, thoughtful, and caring individual about whom, and whose life events, one really would love to have more knowledge.